Hanna dripped with eeriness while creating a balance between The Bourne movies mixed with a classic fairytale.
This fairytale is a little more “roughed” up then most. Hanna (Saoirse Ronan) lives with her father, a former CIA agent (Eric Bana) in the woods. He has been training her to become an assassin to defeat the “evil witch” Marissa Wiegler (Cate Blanchett). Like any other princesses that has been kept in their tower since they can remember, things like electricity and music are merely just definitions in a book. When she is released from her cabin in the woods she finds out more about herself and the lies surrounding her existence.
I went into this movie not knowing what to except other than a great music score from The Chemical Brothers (and it was indeed great). There are a couple of reasons this movie was enjoyable. First, I enjoyed that the story was more than just your classic thriller/assassin movie. It almost had a “coming of age” to it. Second, the cinematography left this eeriness through out the whole thing which gave it the thriller feel and third, Joe Wright did a great job with the keeping the audience interest just based on camera angles, lights, and images.
I did enjoy Hanna although she just missed capturing my heart. I will admit that the style is imaginative and something you rarely see in movies. This made it stand out against other typical thrillers but the uniqueness didn’t make up for the fact the the character development was too focused on the creepy that i couldn’t let her into my heart. In all fairytales you feel a connection with the princess but in this movie this princess wasn’t a damsel in distress in need of being rescued. Not many people can identify with an assassin.
All in all, if you are truly interested in this movie then go see it. But if you are on the fence, then wait to rent it. If you are excepting just straight Bourne action then you will be disappointed.